Damn this Enoch Flint!
A couple of years ago, the pandemic hit. I had an idea in the back of my mind for a story. One where body parts would turn up in luggage all over the world.
One of many ideas. I didn't really bother about it. It was working on a possible children's book. I had already started two different projects, all under the name of Will Thurston (I'll explain the name change, and the old name in a future post).
But on an obscure drive through Suffolk one day, Enoch Flint started talking to me. A voice in my imagination dictated chapter one to me, and it's remained almost identical all the way to publication. I had to use my phone to voice record and type it out later.
The novel kept coming.
I stopped to renovate a caravan to use as my office. Still, the ideas came.
I finally finished the novel. Great. A release date a few months away.
Then we went on a brief holiday to Orkney.
Before we left, I was writing stuff down about book two.
Yet again, Flint pestered me. The first draft of The Dark Isles is done, before Flint #1 is even released. I've never been so prolific. The quickest first draft I've done by about a year and a half.
And guess what? No sooner had I finished Flint #2 draft one, but Flint is now badgering me about book three! I already have a rough outline.
I've hoped for a muse for years. Something to push me to write.
Now I've got one. The voice of Flint in my head. Careful what you wish for. He won't leave me alone!
I have particularly enjoyed 'the talent scout', 'the replacement phenomenon' (Will Thurston) and 'The Departure Lounge' (Simon Whitfield). I'm now looking forward to 'The Dark Isles'. Not too far off, I hope.
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